Archive for the ‘artwork’ Category

25 May 2010

Tiger

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Tiger

I was allowed into the Tiger cage at the Welsh Mountain Zoo to draw at close quarters using the digital projection technique. It was a fantastic hour. The head keeper was with me and we had agreed that at the first sign of any distress the Tiger would be let out. He had just been fed so I don’t think he was viewing me as seconds. The space was very constricted but just big enough. Bryn the Tiger settled quite quickly and even seemed to enjoy being in the space with me. He was calm except when I moved or changed the paper or water. He then let me know he was watching me with a bit of a roar or growl. The keeper said he wasn’t being particularly aggressive, that it was just ‘Tiger’. Perhaps because I have lived with cats all my life I wasn’t phased, they really are big cats. He was very co-operative and allowed me to draw for an hour before letting us know he had had enough, at which point we let him out straight away. I did a few drawings, I’m happy with two or three and edited this film to demonstrate the process and share with you the excitement of being this close, this intimate with a tiger.

See the film Tiger on the artworks page.

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Tiger

11 May 2010

Watch Your Back 2010

My new, very personal film, Watch Your Back is now available to view on the Artwork page. The performance took place in the middle of the night. I worked instinctively then formed the piece through the editing process.

Watch Your Back 2010

Watch Your Back 2010

27 Apr 2010

‘Lines of enquiry’ and ‘In Concert’

New edits of the films ‘Lines of Enquiry’ are now ready to be viewed – see them on my Artwork page.
Also see the first edit of ‘In Concert’. This experimental performance with my PhD supervisor took place at The School of Art, Aberystwyth in March. More films will follow.

In Concert 5

'In Concert' drawn during performance

25 Apr 2010

In Concert : film 1

View the first edit of the In Concert performance on the Artwork page.

In Concert 5

drawing made during performance 2010

24 Mar 2010

Lines of Enquiry 2

The next version is now available…see Artwork.

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Lines of Enquiry 2

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10 Mar 2010

Lines of Enquiry 1

This work happened in October 2009 but I have only just finished editing this first film. There will be others to follow. Sean Feldman dances, Lisa Knapp sings and I am drawing using the digital projection set up. We are feeling our way with the work, listening to each other and our intuition.To view the film see the Artwork page.

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Lines of Enquiry 1

8 Mar 2010

In Concert 3:3:10

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Drawing sonic art. Maria Hayes and John Harvey

The day ran from 11 – 5. We had never worked together before and it took a while to feel our way into the work although it happened organically and relatively easily. It was a risk to be so transparent in our practices but proved provocative both to each other and to our nomadic audience. I made 14 drawings over the day which were timed with each sonic piece. The most frequently asked question was “Who starts?” and “How do you know when to stop?” As with jazz musicians improvising together, you feel it. Sometimes it was obvious who started or who was leading and following at any one time, but the magic moments occurred when all we were aware of was being in the moment, with the sound and the image dancing a tango. Both of equal importance, both maintaining their own particularities and space yet the dancers indistinguishable from the dance.

5 Mar 2010

Grimms Tales

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A short production that explores the religious symbolism in the brothers Grimm’s versions of Cinderella, Snow White and Little Red Riding Hood.

The stories (brilliantly adapted by Poet Laureate Carol Ann Duffy) are read by Jeany Spark, who’s currently featuring as Kenneth Brannagh’s daughter in the BAFTA Award-winning TV series ‘Wallander’.

The production includes songs specially written by Nick Bicat and Philip Ridley, and recorded by (amongst others) Peter Knight of Steeleye Span and Maartin Allcock, formerly of Fairport Convention and Jethro Tull.

Grimm Tales takes place at 2pm on Saturday 27 March in Christ Church
Cathedral, Oxford, as part of the Sunday Times Oxford Literary Festival.
Tickets are £10 and available in advance from the box office on 0870-343
1001 or www.oxfordliteraryfestival.com


24 Feb 2010

In Concert: 3 March 2010 School of Art Gallery, Aberystwyth

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‘Don’t You Wonder Sometimes,‘bout Sound and Vision’ (David Bowie)

Maria Hayes is an artist, film-maker, and educator whose work is concerned with the human form, landscape, music, and movement. She is currently studying for a PhD in Fine Art at the School of Art under the supervision of Professor John Harvey. He is an art practitioner and an art historian with a particular interest in the visual culture of religion. Recently, both have – independently and in very different ways ­- interacted with music and sound: Maria produced a series of illustrations in response to the Martin Pyne’s alternative-jazz album 7 Pictures (2010); John, for his part, has experimented with sound-based articulations of biblical texts. As a result, they feel ready, and that now is an opportune time, to extend and apply their respective endeavours to bridge the medial divide.

In Concert: To Do Something in Cooperation with Another, student and tutor work together to combine image making with sound making, and visual and audio technologies, during a day of improvisations. They will attempt to do something in order to see what will happen. There are no presuppositions about the outcome. The only certainty is the principle of uncertainty. Nevertheless, the artists will embark upon the occasion with a determination to: explore new possibilities; learn from one another; interpret and respond to each other’s efforts; be fearless of failure and surprised by the unexpected; live in the moment; and to address the process rather than the product (in other words, to concentrate on the journey rather than the destination).

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‘Concert’ is not a performance; it is not for an audience but, rather, for the participants. However, students, staff, and members of the public are welcome to visit the gallery throughout the day in order to see and hear the work in progress. The spectators will encounter an example of practice-based-research-in-action: a playful yet critical investigation of what takes place when two distinct modes of creativity are juxtaposed. Maria and John anticipate moments of convergence and reciprocity, illumination and reconciliation; as well as periods of floundering, befuddlement, arbitrariness, and disintegration; and (hopefully) times of recovery and resolution too. In these respects, their creative experience will resonate with that of every artist.

Maria will be working with a sophisticated projection system which facilitates performative drawing and painting. John’s tools will be an electric guitar; amplified speech, and drawing and writing implements; recorded sound; and electronic, sound-modifying devices. The collaboration will take place in the single gallery at the School of Art, Aberystwyth University between 11 am and 1 pm, and 2 pm and 5 pm on Wednesday 3 March 2010. Students will have an opportunity to discuss the development and the artists’ perception of the work, with them, during the lunch hour.

24 Feb 2010

Events in March

In Concert 3:3:10  11-5  School of Art gallery Aberystwyth University see previous news entry for details

On Screen 8:3:10  lunchtime and evening   “A Bird in the Hand”

together with films by Jean Walcot and Adeola Dewes

Womens Arts Association International Womens Day celebrations.

A Bird in the Hand: work in progress

A Bird in the Hand: work in progress